Sunday, November 24, 2013

Sketch: Looking across to Whitereia

I had another go at home at sketching the view from Plimmerton across to the Whitereia peninsula.

Saturday, November 23, 2013

Sketching meetup at Plimmerton

Yesterday I went to the Wellington Sketchers meetup at Plimmerton, north of Wellington. It was such a lovely morning.

 The view across the bay. I had left my paints at home, but managed to get by with what was still dry on my palette.

Looking inland: People eating icecream.  I used my watercolour pencils this time. I was pretty happy with them.

People looking for crabs and starfish in the rockpools.

Plimmerton sea shore, looking across to the Titahi Peninsula.

Drawing people smirking

Over breakfast (and morning tea) I sketched one of the Cardinals photographed in the NZ Listener magazine. 

I've been reading Giovanni Civardi's excellent book Drawing: A Complete Guide and I really like how he does his portraits with a style that is at the same time exact, but loose and relaxed. The cross hatching is methodical and beautiful, but fast and expressive. A bit like in my other favourite book, John Raynes' Drawing and Painting People. I thought I would give this a go. I used my Derwent Onyx pencil (medium), and it did take quite some effort to get the darker shades, which on thin paper can buckle the paper a bit. I'd still like to order a the dark version of this pencil and try that out.

It has also made me think about how to sketch someone smirking - what is the crucial thing to include in the sketch that differs from a closed smile? It depends on the lighting, of course, but I think a smirk involves the lips being pursed and pushed out, and the chin jutting forward slightly. Plus the usual things that accompany a smile, such as raised cheeks, dimples, wider mouth and slightly closed eyes. 

Pursed lips are shown by the shadow above the mouth stopping before the lips, so that there is a line of blank paper above the top lip, and slightly deeper shading under the top lip. This is due to light catching the lips more because the lips are pushed out, smirking. Usually in a sketch, the edge of the mouth's lower lips are not drawn, but are implied by the shadow on the chin under the curve of the lower lip. But in a smirk, there might not be as much shading on the chin (in this case, almost none) under the lower lip, because in a smirking smile the chin is being jutted forward so much.

Thursday, November 21, 2013


I've been doing some more practice on mixing colours using Cathy Johnson's book Creating Nature's Detail in Watercolour, which has some great examples of doing interesting sky effects, and Nina Leland's amazing book Exploring Color, which is probably the best book on learning about colour theory and mixing colours that I have come across so far

 A quick go at one of the examples in Cathy Johnson's book. (6 x 10 cm)

The sun breaking though clouds and fog in the early morning (using Cathy Johnson's book).

The sun starting to rise over foggy mountains. Nina Leland shows how to mix various grey's using opposing colours, and while it is a bit more effort, I have to admit that the greys are more interesting than just Davy's Grey from the pan.

Matukatuki Valley sketch

Another miniature watercolour sketch, approx 6 x 10cm, on 185 gsm medium tooth paper. This is evening falling in the Matukatuki Valley on the South Island of New Zealand.

Wednesday, November 20, 2013

Lake Manapouri and Dart River sketches

A miniature sketch of Lake Manapouri on New Zealand's South Island (4 x 6 cm).

A (even more ) minature sketch of the Dart River valley near Queenstown (3 x 5cm).

These were done from a photos, not on location. Using 185 gsm paper has made me realise that I should get something heavier in the 200 - 300s, or learn to stretch my paper. I'm practising mixing greys from different opposing colours, rather than just using a grey from the tube.

Tuesday, November 19, 2013

TV sketches #7

Again, I was watching live TV with hubby so I did these without pausing the show or rewinding. They are pretty good likenesses too. The show was a documentary about daredevils and stuntpeople, and the sketches are of these people being interviewed.

                                                                    Tararua Ranges, North Island, New Zealand

Monday, November 18, 2013

Porangahau Beach sketch

A quick miniature sketch of Porangahau Beach, North Island, New Zealand. I'm going to try and do a few watercolour sketches a week, hopefully one every day or so. 4x12cm.

Saturday, November 16, 2013

Lake Wairarapa

A breakfast sketch of an overcast Lake Wairarapa, New Zealand. Done from a photo though, not on location. About 7 x 10 cm. This is one of the first sketches I have done where it is purely in watercolour, with no pen, ink or pencil used at all.

For the muted greens, I mixed a warm yellow with blue. Must keep notes on exactly which ones though.

Friday, November 8, 2013

TV sketches #6

Some more TV sketches. This time no pressing pause or rewinding at all. I think I am getting better at sketching someone super-fast.


 And from a different show: some people being interviewed.

View from the train to National Park, North Island, NZ

Thursday, November 7, 2013

TV sketches #5

I finally managed to get a pretty good likeness of someone on TV without pressing pause at all. This is a guy who looks after NZ lighthouses. I should have drawn him looking off camera though.

I've been thinking of getting one of the really, really small pocket sketchbooks, but have had doubts about sketching on such small surfaces. I think it could work out. 

Sunday, November 3, 2013

TV sketches #4

More sketches from tv.

I'm still trying to figure out what it is about an expression that shows that a person is squinting into the sun, or talking intensely, but is not at all angry. 

A guide on a windswept boat, pointing something out off camera.